Sometimes, I am prone to point out, we don’t need a strong female character for this.As always, there's a lot more at Taki's place. Some of it relates to this new Arthurian adaptation of the story of Lancelot du Lac. (But see also here.)
We might, in fact, need a weak female character for this particular story. Or, more likely, we’ll need a complex person for whom the words “strong” and “weak” are relative or irrelevant because she’s, you know, a human being.... I could go scene by scene through the complete works of Jodie Foster, Meryl Streep, and Marilyn Monroe and make notes in the margins of their scripts that would read something like this:
strong moment
weak moment
neither-strong-nor-weak moment
strong
weak
moderately strong
moderately weak
...on and on, ad infinitum, because all three of those women have played multiple roles with multiple points of view that can’t ever be summed up by the words “strong female character” or “weak female character.” You could do the same with male characters. Superman is not interesting unless Kryptonite exists.
UPDATE: Joe Bobb is bringing a cultural lesson north:
Growing up in Little Rock, Ark., John Bloom knew lots of people who figured they’d never leave. “At least once in your life, you need to go see New York, or Europe,” he’d tell them. “It’ll change your perspective.”...Rednecks are one of the last safe groups to portray as villains for Hollywood, he argues. Most every movie needs a villain.
Now he encourages friends living on the Upper West Side to visit Little Rock, or Mississippi: “Spend a weekend in Jackson. Go to a Baptist church. Your view is getting kind of narrow." ...
To that end, he’ll bring his midnight clip show, “A History of the Redneck in Film,” to the Coolidge Corner Theatre on Saturday, Nov. 4. Though he’s presented the show periodically over the past 10 years or so, this is the first time he’s brought it north of the Mason-Dixon line. It’s a public service, he says, half-joking.



