Last night I had a date with my one-and-only, and for reasons I won't discuss we ended up seeing this damnable new
take on Sleeping Beauty.
Now I wasn't expecting much. What little I see of current Hollywood doesn't leave me impressed with its imagination; and "reimaginings" without imagination don't do much for me. But I walked out of this one spitting mad. Indulge me a moment while I say why.
If you haven't seen it (lucky souls), the concept is perfectly simple. The king from
Sleeping Beauty owed a great debt to the "bad fairy," but instead betrayed her to gain power for himself. (The poor thing didn't understand how
greedy men were 'til later...her Green credentials are spotless.) It relates to his desire, and his father's, to steal the peaceful woodlands from the magical creatures who inhabit them -- and if they'd only leave them alone, or make amends and give back what they stole, all would be well. The fairy's curse is a burst of understandable righteous anger at the king's perfidy; but he's able to get a measure of mercy out of her just by begging on his knees, that being the right position to check his privilege. And later on the conscience-ridden Maleficent does everything she can to fix the problem. And in the end "true love" is revealed to be, not a romantic attachment between man and woman (which our female lead denies, and she's never proven wrong), but pity and remorse for a victim.
I expected some genuflections to the prevailing orthodoxies of PC and "Cultural Marxism." I didn't expect them to replace the whole story. If you're a civilized ruler under attack...white male type...well, that settles it, you must have provoked it. In a classic heroic fairy tale (or even a healthy cartoon version), there's evil in the world and it's got to be
fought, and kings, princes, knights, and soldiers have an especial duty to do so. In this? There's no evil but what you create yourself; no one's out to attack you unless you provoked it; the "victim card" not only explains but excuses every evil; and those who can play it have all the noblest sentiments. In fact, no one
except victims has any noble sentiments, not in this film they don't. The story's been rewritten to include hundreds of soldiers, but they're either villains or faceless dragon fodder, and everyone from king to peasant would be better off without them. The cartoon was truer to life.
It seems to me this new take on the classic tale is the same viewpoint that inspired certain parties'
incorrect assertions on the subject of Benghazi. I don't think they invented the "video" story out of whole cloth. I think it was their first instinct. Americans under attack by Muslims? It
must be our fault. We must have
provoked them. Send in the troops? Get our people out at once? Perish the thought -- that might provoke them some more. Better to show an
appeasing image. And when the first instinct turned out to be untrue...it was still the natural story to run with. Teach every child that view; then our future leaders are secured.
Apparently now not only our schools and our press, but our fairytales as well, must teach
suicidalism.. This civilization's going to be hard to rebuild. I think all that's left for Hollywood is to retell Aesop's fable of
the Wolves and the Sheep to explain how it's all the Sheepdogs' fault. Which, come to that, is just what the wolves were saying.