Noah Berlatsky writes that this unity can be seen elsewhere:
The pop culture account of science is, as Lipking, a Northwestern University emeritus professor of English, notes, one of continuous advancement and ever-clearer sight—or, alternately, one of ever-encroaching spiritual death, as cold technology alienates us from our true selves. But both narratives of progress and those of apocalypse erase the extent to which the scientific revolution was fired by religious fervor. Galileo, forced to recant his heliocentrism by the Church, nobly refused “to be swayed by myths or orthodoxies,” and boldly declared, “Nevertheless it moves.” Except, there’s no record that he said that; the rejection of myths and orthodoxies is itself a myth—one of the founding stories of modernity’s science code.
Along the same lines, Descartes’ famous mental experiment, in which he stripped the world down to what can be rationally known, was, it turns out, inspired by a series of vivid dreams, in which, Descartes believed, God had called him to a great work. Kepler introduced his epochal Third Law explaining planetary motion by declaring, “It is my pleasure to yield to inspired frenzy, it is my pleasure to taunt mortal men with the candid acknowledgement that I am stealing the golden vessels of the Egyptians to build a tabernacle to my God.”

