I'd never heard of the ROMP Music Festival before, but it looks like a lot of fun. It's out in Owensboro, Kentucky, and this year it's the weekend of June 25-28.
I'd never heard of the ROMP Music Festival before, but it looks like a lot of fun. It's out in Owensboro, Kentucky, and this year it's the weekend of June 25-28.
I want to focus on "closeted bisexual." Mitchell's father was married to his mother, so how does he count as closeted if he just kept quiet about who else he's sexually attracted to? That's the general practice among married people, not to speak out about your interest in anyone other than your spouse and not to do anything about it. It might be a more poignant case if the man married a woman but only felt attracted to men, but this, we're told, was a bisexual. Presumably, he was attracted to his wife. Where's the closeting in restricting your sex relations to your spouse? It's not as if heterosexuals feel free to speak out and act out about their sexual attraction to others. No one admires these adulterers for "coming out of the closet."
Indeed, chastity in marriage is only really a virtue because you're attracted to others. Of course you are; that's out of your control due to basic biology like pheromones that affect you subconsciously. The virtue is the practice, eventually the habit and finally the character, of keeping faith with your spouse in spite of whatever temptations there are in the world.
To link the discussion with an earlier one, here the virtue is an art that aims at the recognition of and then the perfection of nature. It would be a denial of nature to claim that you simply weren't attracted to anyone else but your spouse; indeed it would be the vice of lying. We use natural reason to understand that the best sort of relationship that such feelings can produce is one of faithful loyalty and duty to one another, and then we use our arts to nurture that thing into its actuality.
Sir Thomas Malory was accused of an affair with a married woman and celebrated both Lancelot and Guinevere as well as Tristram and Isolde. Yet he understood the value of the thing even if he didn't himself always attain it. In the quest for the Grail, only three knights attain success -- and neither of those two, who were the great victors in battles and tournaments. Two of them were virgins, Galahad and Percival. The third was Sir Bors de Ganis (i.e. 'of Wales'), of whom Malory says this:
[F]or all women Sir Bors was a virgin, save for one, that was the daughter of King Brangoris, and on her he gat a child that hight ('was called') Elaine, and save for her Sir Bors was a clean maiden.
One rarely sees the term 'maiden' employed just that way, first aimed at a man, and also one who is almost but not quite a virgin.
1.I’ll give thee, good fellow, a twelvemonth or twain,To search Europe through, from Byzantium to Spain;But ne’er shall you find, should you search till you tire,So happy a man as the Barefooted Friar.2.Your knight for his lady pricks forth in career,And is brought home at even-song prick’d through with a spear;I confess him in haste—for his lady desiresNo comfort on earth save the Barefooted Friar’s.3.Your monarch?—Pshaw! many a prince has been knownTo barter his robes for our cowl and our gown,But which of us e’er felt the idle desireTo exchange for a crown the grey hood of a Friar!4.The Friar has walk’d out, and where’er he has gone,The land and its fatness is mark’d for his own;He can roam where he lists, he can stop when he tires,For every man’s house is the Barefooted Friar’s.5.He’s expected at noon, and no wight till he comesMay profane the great chair, or the porridge of plumsFor the best of the cheer, and the seat by the fire,Is the undenied right of the Barefooted Friar.6.He’s expected at night, and the pasty’s made hot,They broach the brown ale, and they fill the black pot,And the goodwife would wish the goodman in the mire,Ere he lack’d a soft pillow, the Barefooted Friar.7.Long flourish the sandal, the cord, and the cope,The dread of the devil and trust of the Pope;For to gather life’s roses, unscathed by the briar,Is granted alone to the Barefooted Friar.
Cullman County District Attorney Champ Crocker on Wednesday said the grand jury made the decision in April following an Alabama State Bureau of Investigation audit into the Hanceville Police Department. Crocker said the grand jury was left with no choice to dismiss dozens of cases that the Hanceville Police Department previously investigated due to “illegal actions” taken by former officers with the department.“The Grand Jury that unanimously indicted the former Hanceville police officers determined that those officers’ cases, and other cases from the Hanceville Police Department, were unprosecutable,” Crocker said.“The same Grand Jury reconvened in April and voted to no-bill, or dismiss, 58 felony cases due to the illegal actions of those former Hanceville officers. “Most of these cases involved drugs, and only a few were personal crimes with victims. One dismissal is too many, but the Grand Jury had no other recourse.”
One dismissal may be too many for a District Attorney, but it strikes me as a fair price to pay to make sure that the police obey constitutional protections of the rights of citizens. Although some dismissals are more expensive than others: in New York, it may be the most famous murderer of the hour.
Latest motion states patrolwoman searched Luigi’s backpack at McDonald’s without a warrant, then repacked the items and left the restaurant with the backpack, with no body cam footage for the next 11 minutes during her drive to the precinct. Upon arriving at the precinct, she resumed the warrantless search and “found a handgun in the front compartment.”
There's reasonable doubt that this handgun was in the backpack when she took it, given that she moved it out of sight of everyone to another location and then (still without a warrant) re-searched it and "found" a handgun. A jury might reasonably wonder if the handgun wasn't actually found at the site of the murder, and then placed in the backpack later.
Of course there are other issues at stake in that case, like his alleged confession; a lawyer would have to get that suppressed, though that is frequently done on grounds of coercion. The fact that basic Fourth and Fifth Amendment protections weren't respected by a 'professional modern police service' -- indeed, the primus inter pares of such services is in America -- is a striking issue. I think I would grant the defense motion to suppress all the backpack evidence if I were the judge, including the handgun. You probably wouldn't go as far as no-billing the case, but the prosecution would find itself in a much harder spot. The risk to the public of turning Luigi loose on the world is less, however, than the risk of running a gigantic and well-armed police force that doesn't respect the Constitution.
Authoritarianism is harder to recognize than it used to be. Most 21st-century autocrats are elected. Rather than violently suppress opposition like Castro or Pinochet, today’s autocrats convert public institutions into political weapons, using law enforcement, tax and regulatory agencies to punish opponents and bully the media and civil society onto the sidelines. We call this competitive authoritarianism — a system in which parties compete in elections but the systematic abuse of an incumbent’s power tilts the playing field against the opposition. It is how autocrats rule in contemporary Hungary, India, Serbia and Turkey and how Hugo Chávez ruled in Venezuela.The descent into competitive authoritarianism doesn’t always set off alarms. Because governments attack their rivals through nominally legal means like defamation suits, tax audits and politically targeted investigations, citizens are often slow to realize they are succumbing to authoritarian rule. More than a decade into Mr. Chávez’s rule, most Venezuelans still believed they lived in a democracy.How, then, can we tell whether America has crossed the line into authoritarianism? We propose a simple metric: the cost of opposing the government. In democracies, citizens are not punished for peacefully opposing those in power. They need not worry about publishing critical opinions, supporting opposition candidates or engaging in peaceful protest because they know they will not suffer retribution from the government.
Ok, fair enough. But before we go any further with this line of inquiry, have you considered what the cost was for opposing the government from, say, Obama through the present administration? The controlled opposition did OK, of course, because they are part of the system of control: John McCain wasn't in any danger because they knew they could count on him to defect to their side when it really counted. Mitt Romney was never.
What about those who really wanted change?
UPDATE: To borrow a tack from a recent post, what are the costs of opposing the government in the UK, where thousands are being arrested for expressing 'offensive' opinions? Is the UK an authoritarian state? Is France? Is there any major power left in the West that is not?
What should be done about this problem?
How do you tell whether what you are reading was generated by AI, or by real humans (or, for that matter, other real spirits)?What has been generated by real substantive beings is somehow original, somehow new, and somehow unsuspected in what has already transpired. What has been generated by mechanical procedures cannot be that. It must by comparison seem relatively boring, stupid, or repetitive.How to tell the difference between creative originality and repetitive stupidity?In the end, it seems to me that it must come down to something like smell. We don’t smell rot or poison on the basis of a process of ratiocination. Indeed, most of our apprehensions of falsehood or error arise not from some discursive procedure, but rather from a relatively raw intuition; a hunch, a stink, an unease, a horror.
Genuine originality is not what human beings' arts are for. As Aristotle points out, the function of art is to perfect nature. We know what an eye is for by applying reason, which we have by nature; once we know that, we can tell if the eye is performing its function well or badly. I was just at the eye doctor this week, so that he can apply the art of optics to perfecting what nature aims at but did not fully achieve (mostly because I read too much and have thus trained my eyes towards nearsightedness).
That link just above is to an SEP article on Aristotle's aesthetics, which is in fact where the Orthosphere is going too.
If something seems off to you, not so much wrongly (we can after all disagree honestly about facts and their reasons) as oddly or weirdly, it probably is.
Or fake or ghey; that, too, is a good indicator. What seems hard to entertain prima facie is … hard to entertain.
This should be the tell, actually, that the 'smell' metaphor works but that the article has pointed it wrongly. It is not the lack of originality that makes AI fail to 'smell' right, but the lack of connection to nature. The AI can't see nature. It can only see human reflections of nature that we have trained it on. It is more disconnected from the true thing that art exists first to understand, and then to perfect.
I don't think AI had much to do with what he's calling 'fake or ghey'; mostly I think that was bad artists, human enough but also misunderstanding that the perfection of nature is the true teacher and target for art. That is why such art seems fake; it isn't tied to the real thing, which is the natural function and purpose that our reason discovers.
Or, as Tolkien put it, it falls to us to be subcreators. In the Silmarillion, he proposes a creation story in which the god-figure creates with a song that all of his angel-figures are supposed to join in. Mostly they do, creating a harmonic beauty. One of them, the devil-figure, begins to introduce his own discordant notes. The creator is able to alter the work so that the discord deepens and improves the beauty of the whole; and thus the devil-figure is not able to disrupt the overall beauty of created nature as he had willed to do.
Subcreation happens within the context of the natural, to include natural reason's understanding of it and response to it. Only by accepting this do we properly perform the human arts, which adjust and perfect the natural good. We might be original at times, as perhaps the inventor of optical lenses was, but what is good or great about what we do is not the originality. It is the perfection of the natural good that we ourselves did not create.
The etymology of grimoire is unclear. It is most commonly believed that the term grimoire originated from the Old French word grammaire 'grammar', which had initially been used to refer to all books written in Latin. By the 18th century, the term had gained its now common usage in France and had begun to be used to refer purely to books of magic. Owen Davies presumed this was because "many of them continued to circulate in Latin manuscripts".
Willrich, Michael. American Anarchy: The Epic Struggle between Immigrant Radicals and the US Government at the Dawn of the Twentieth Century. New York: Basic Books, 2023.
The government's decades-long war against anarchy spurred the growth of federal institutions designed to repress political dissent. The same struggle also inspired the emergence of a modern movement for civil liberties, grounded in the Bill of Rights, including broad freedoms of speech, freedom from warrantless searches and 'third degree' interrogations, and rights of due process...It is the great irony of the story told in these pages that the many trials of the anarchists -- working-class thinkers who denounced the liberal ideal of the rule of law as a dangerous delusion -- breathed new life into the Bill of Rights and spurred a probing public debate about the proper legal limits of government power[.] (374)
The democratically elected officials, meanwhile, also have to ask the EU bureaucracy for permission to fund NATO in line with their treaty obligations (which, allegedly, make up part of the supreme law as they were democratically enacted and ratified). We are meant to believe that it is vitally important that no radical right-wingers be allowed to assume those democratic offices, which don't control the secret police or the budget but are controlled both above and below by 'administrative states.'
So "this is democracy," German style. An independent secret police deciding to spy upon a political party to which the government is hostile, and then the courts taking steps to ban it from participation. But if they did somehow get to participate and win, they still wouldn't be in charge of anything. They'd be controlled by the administrators above them and below them.
In fairness to the Germans, we weren't that far off of that in 2016, when the government was using spy powers targeting Carter Page to collect and read all of his communications with anyone, and then was allowed to further read all of the communications of anyone they collected that way -- i.e., the Trump campaign. And then they opened investigations like Crossfire Hurricane and Crossfire Razor, took down and tried to imprison a sitting National Security Advisor on made-up perjury charges based documents they edited long after the fact and disappeared, and then....
And by the way, what did we ever learn about that assassin in Butler last summer? How'd that happen? Well, perhaps that's just paranoia -- unlike the rest of it, which is clearly established fact.
By the end of the year, although Trump is still president, Rubio runs the entire government.
Hey, we're only 100 days in. It could happen.
Wrangler’s 13MWZ jeans have remained largely unchanged since their inception. (According to Rivetti, the last major change came in 1963, with the introduction of a new standard fabric for the line.)... Wrangler’s jeans are, ultimately, still utilitarian. The 11⅛-inch high rise (skinny jeans might have a 9- or 9½-inch rise) and two additional belt loops in the back help a rider’s shirt stay tucked in while they’re sitting in a saddle, according to Wrangler. The thicker, flat-felled seam — usually on the inside of the pant leg — is instead placed on the outer part of the leg, since this is more comfortable for someone on horseback....
Wrangler’s jeans also have hard, smooth, copper-colored rivets on the back pockets, creating a more-durable fabric attachment. For its 13MWZ jeans, Wrangler uses a kind of fabric called “broken twill.” Most jeans are made from a rightward-angled twill (this is why denim looks like a series of diagonal lines). Wrangler’s broken twill fabric, however, changes direction, from right to left, every several stitches, giving it an almost chevron-like appearance. The result, Kristy explained to me, is a fabric that physically has more opportunities to fold over itself, making it feel a little less rigid. This allows Wrangler to use heavier, harder-wearing denim without sacrificing comfort....Compared with comparably priced jeans I’ve worn from Levi’s and Uniqlo, the 13MWZ jeans are made from a heavier-weight denim that doesn’t start to feel slouchy after a few wears. And the copper rivets and tight stitching make the Wranglers feel sturdier than their counterparts.
I stand corrected. They can sometimes appreciate the clothes I wear.