So what does “Daesh” mean? According to France24, it is a loose acronym of the Arabic for “Islamic State of Iraq and the Levant” (al-Dawla al-Islamiya al-Iraq al-Sham). However, the term is also one of defiance and disrespect.So now you know.
It is also considered insulting, and the IS (Islamic State) itself doesn’t like the name Daesh one bit.
Beyond the acronym, “Daesh” sounds lie the Arabic “Daes”, meaning “one who crushes something underfoot” as well as “Dahes”, which means “one who sows discord”.
Dahes is also a reference to the Dahes wal Ghabra period of chaos and warfare between Arab tribes which is famous in the Arab world as one of the precursors of the Muslim age.
“Daesh” therefore has considerably negative undertones. There can be little political ambiguity behind the French government’s decision to deploy Daesh as a linguistic weapon.
Daesh
The French and the Aussies have hit upon a way to annoy ISIS: refer to them instead as "Daesh."
Meanwhile, in Nigeria...
While the world's leadership focused on the attacks in Paris, Boko Haram killed two thousand people in a massacre designed to enforce their vision of Islam.
As Islamic terrorists continue to spread, more nations are in danger of simply collapsing as their citizens lose faith in their ability to keep them safe. We’re in serious danger of having an increasing pile of failed states which will serve as a breeding ground for more of the same. Unfortunately, as bad as Boko Haram is, attacks like this are never going to capture the media’s attention the way an attack in France (or America) will.
So what can we do about Boko Haram realistically? I have absolutely no idea. Launching a major military offensive against them (given how much else we have on our plate) seems unlikely in the extreme, even if the will existed in the White House to do so. And I doubt we have any allies left who have the resources and the interest to do it in our stead.
Stimulating D.C.
From a Michael Barone piece on U.S. population-movement patterns since 2010:
The rest of the article is interesting, too, on the subject of which states get or lose international or domestic net immigration, and why.
The 2013-14 numbers just released, for example, show interesting contrasts with those of 2010-11, when the economy was flagging and stimulus money disbursed. Back then the Washington metropolitan area — Virginia, Maryland, D.C. — was growing well above the national average. Now, with the sequester cuts, growth in the region is below average.Is that what Keynesian stimulus amounts to? Congress authorizes a bunch of spending, but little of it makes it more than a few miles from D.C.?
The rest of the article is interesting, too, on the subject of which states get or lose international or domestic net immigration, and why.
It Does Work
Al-Qaeda in Yemen didn’t attack Charlie Hebdo because we are all Charlie Hebdo.What we do in the contemporary West is we protect groups like the Westboro Baptist Church, who malign everything we really believe, so they can make the funerals of our soldiers more painful for the parents of our beloved dead. We protect them, but fuck them. Their heads are the ones that belong on spikes; we are just too nice to post them.
The opposite. It sent in the brothers Cherif and Said Kouachi because Charlie Hebdo was almost alone.
Yes, that’s right, almost alone, despite the hundreds of thousands marching with their “Je Suis Charlie” placards.... Even the Jyllands-Posten, the Danish paper that originally publish the cartoons that provided Muslims with a pretext for mayhem and murder, even that paper has declined to republish anything that might be “offensive” to Muslims because, they said, “violence works.”
Well, "we" are.
Anyway, this business about being 'almost alone' is more complicated than it looks. Mostly I think outfits like Charlie deserve protection as a kind of limit case. They aren't the core of what we're about, as a decent people. They're about our tolerance for liberty, even when it descends into garbage. We believe in liberty, so we tolerate -- we defend, we protect -- the garbage.
That doesn't mean it isn't still garbage. And maybe we haven't found the right point of balance yet: Maybe there's still a better solution for groups like Westboro, wherein they can be made to accept responsibility for the garbage they bring into the public space.
Another Pleasant Quiz
Which Ancient or Medieval Warrior Are You?
No one will be surprised by my results.
No one will be surprised by my results.
William Wallace
A valiant freedom fighter, you are the Scotsman William Wallace! You strongly believe in the individual freedoms of every man and woman, regardless of background - and are willing to fight 'til the end for it. Close-minded individuals are perhaps your biggest pet-peeve. "This great warrior was a fiercely loyal Scottish landowner who willingly defied the bullying of the English nobles on behalf of his countrymen. He later led a wildly outnumbered and unprofessional army against well-trained advancing English forces in the Battle of Stirling Bridge, turning contemporary rules of engagement on their heads and earning a Scottish knighthood in the process."
No Future
I promptly asked, “What’s the situation?” Our shared patrimony obviated any need for further elaboration; as a European Jew addressing an American one, he knew exactly at what I was aiming. “There is no future for Jews in France,” he said.
As you know, I recently returned from Jerusalem. While I was there, I had many opportunities to talk with thoughtful Israelis on the subject of their country and its mission -- no subject seemed more dear to them. Some of them were not only thoughtful but professional historians and philosophers, who discussed Zionism from a position of personal conviction. Some were immigrants, Jews born elsewhere but who had taken advantage of Israel's open offer to all Jews everywhere to 'come home' -- the term in Hebrew means 'to go up.'
Right now the figures are tiny. 7,000 Jews out of a population of a half a million might not even interfere much with natural replacement. But I heard Natan Sharansky -- a genuine hero of anti-Communism, a man who stood firm in the prisons of the KGB on charges of being an American agent -- say that immigration from the First World was, for the first time in Israel's history, the leading source of immigration.
The people I spoke to clearly believe, and I see why they think they are right, that Israel is the only home for the world's Jewish population. They clearly believe, and I think they really are right, that having the option to resort to Israel is key to the safety of Jews everywhere.
Now, I'm not a Jew, but as long as I live I can say that Jews will be safe within the realm of my right arm. I suspect many Americans would say the same, and so perhaps this place may long be a place where they can linger, if they wish.
In another way, I'm sorry we do not have what they have: a NĂºmenor to their Undying Lands, our ancient home now sunk in the sea, a place to which we as they might withdraw if our values came under a similar assault.
There is no such place for us. We have only the sword.
Conrad Black on the Defense of the Christian West
His introduction is an amusing transgression of the social restraints on married couples seeming too interested in each other, but he goes on to a high note.
As I was sitting down to write about the atrocity in France, my wife Barbara hove into view, always a delicious sight, and announced that she was writing elsewhere on the same subject and that I could not do it. So I will not, other than to say that France.. has been comparatively indulgent of Muslims... but this incident... will motivate France to lead the Western counter-attack against militant Islam that should have been launched by our united civilization many years ago.... [W]hen French possession and enjoyment of their country is threatened, the national faith in liberty, equality and fraternity will give way to more systematic repression of violent Islamists than would be acceptable in an Anglo-Saxon democracy.The related subject is more interesting.
...[I]n France there will be none of the faddish and abusive meddling of human rights commissions such as persecuted Mark Steyn and Ezra Levant in this country. Since the barbarians comingled with the Romanized Gauls 1,500 years ago, no one has displaced the French from their complete cultural occupation of la douce France. Those who have tried, including the Moors, the Plantagenet kings of England, and the German Empire and Third Reich, were a great deal more formidable and comparatively numerous than the venomous rag-tag of contemporary Islamist terrorists. Vive la France, which now awaits the continuator of Charles Martel, Joan of Arc, and Charles de Gaulle; a relatively easy victory awaits him or her.
Since I have been cyber-gagged from pursuing this subject further, I will retreat to a related one.
An Article in the NYT I'm Glad To See
It's been the case since the beginning of the nation that the North has told itself a story of racism in which it was the hero and the South was the bad guy. We hear about slavery, but not about how the slave ships that fueled the Middle Passage sailed so often out of Boston and New York. We hear about how the cotton economy was built on slave labor, but not about how the North's industry was built from the proceeds of the Triangular Trade. The Civil War is the reflex point, in which whatever marginal guilt the North admits for having 'compromised' with the South on slavery is washed clean in blood. Subsequent history is virtuous Northerners periodically forcing vicious Southerners to amend their Jim Crow ways, until at last LBJ came down to help MLK and victory was achieved.
So it's not merely a timely but an evergreen question that the Times is asking today: "When Will The North Face Its Racism?"
So it's not merely a timely but an evergreen question that the Times is asking today: "When Will The North Face Its Racism?"
In matters of racial injustice, the South has been the center of attention since before the time of the Civil War. But the North, with its shorter history of a mass black population, has only more recently dealt with the paradox of an enlightened ideal coexisting with racial disparity. The protests have become a referendum on the black condition since the Great Migration. “The protests are beginning to wake people up to the idea that the problems are not only there but have been obvious all along,” the historian Taylor Branch told me. “It feels like the South in the 1950s.”Yet the parallels drawn aren't to the South in the 1950s, but to the South at the height of lynching. The parallel between lynchings and police killings of blacks is overblown, as we've discussed before, because even if the rate at which such killing occur is about the same, the population growth means that the rate per black citizen is a fraction of what it was. Still, "it feels like" doesn't require much substantiation: the feeling may not be purely rational, but feelings are often not. Grappling with the problem means both that many in the North may have to acknowledge a greater degree of structural racism than they want to admit to or recognize; it may also mean that some in the black community may have to admit to a kind of objective improvement in the facts, even if there are times when they still feel strongly the sense of oppression.
Shooting the unarmed
A Phoenix anti-cop activist shows surprising flexibility of thought after completing a shoot/don't-shoot training course. It obviously made him rethink what should happen when an unarmed man walks right up into an officer's face.
Photo anti-op
Cut Eric Holder some slack. He was in Paris as the sole representative of the U.S. government in the current crisis, but he had to meet with some senior people. In the meantime a bunch of senior people were marching arm in arm:
Left to right: Greek Prime Minister Antonis Samaras, Spanish Prime Minister Mariano Rajoy, British Prime Minister David Cameron, Danish Prime Minister Helle Thorning-Schmidt, European Union foreign policy chief Federica Mogherini, Paris Mayor Anne Hidalgo, European Commission President Jean-Claude Juncker, Israeli Prime Minister Benjamin Netanyahu, Malian President Ibrahim Boubacar Keita, French President Francois Hollande, German Chancellor Angela Merkel, European Union President Donald Tusk, Palestinian president Mahmud Abbas, Jordan’s Queen Rania, Jordan’s King Abdullah II, Italian Prime Minister Matteo Renzi, Turkish Prime Minister Ahmet Davutoglu, Ukrainian President Petro Poroshenko and other guests.Holder wasn't meeting any of them.
Is this sorry enough?
It's not clear to me from this report that the newspaper used the "s" word, but I'd say this was pretty thoroughly abject: no weaseling.
Magna Carta
A free online course by the University of London will explore the history of Magna Carta, and how the ideas expressed in it -- little things like "no taxation without representation" and trial by jury -- have influenced the world.
I think it sounds like fun. If you want to do it too, you can sign up here.
I think it sounds like fun. If you want to do it too, you can sign up here.
More unclear motives
A German tabloid that reprinted the Mohammed cartoons has been firebombed. Police say it's too soon to ascribe motives to the attack.
A couple of comments from David Foster's place, ChicagoBoyz:
A couple of comments from David Foster's place, ChicagoBoyz:
There is an interesting piece today in the Wall Street Journal about historian Tom Holland and the writing of his "In the Shadow of the Sword, the Rise of Islam," which is about the origins of Islam and Muhammed, which do not agree with the Quran or the Hadiths. He was OK until the BBC made a documentary about the book then he started getting lots of death threats. He said he never thought that a historian would be at such risk since all he wanted to do was tell a true story.
I’m ordering all three of his books about the Middle East. Apparently Muslims do not read much but do watch TV. Maybe they read cartoons, as well.and
#JESUISCHARLIE is one thing.
I think that we are more in need of #JESUISCHARLIEMARTEL.
His motives remain obscure
Don't call him an Islamist. It might stir up anti-Islamist sentiment. Who can really say why he acted as he did? Well, other than himself, of course.
A brief stint as Oskar Schindler
A nice vignette from the troubles in France: a black guy amusingly described as "African-American" by a CNN news anchor used quick thinking to shove about 30 Jewish customers of a kosher store into a basement freezer to protect them from the Islamist hostage-takers. They all survived; the hostage-taker is now at room temperature.
The British Press Has A Banner Week
The British press has never seemed as out of touch as it is today. All our broadsheet papers are packed with pleas to the people of France, and other European populations, not to turn into Muslim-killing nutjobs in response to the Charlie Hebdo massacre. The Guardian frets over “Islamophobes seizing this atrocity to advance their hatred.” The Financial Times is in a spin about “Islamophobic extremists” using the massacre to “[challenge] the tolerance on which Europe has built its peace.” One British hack says we should all “fear the coming Islamophobic backlash.” And what actually happened in France as these dead-tree pieces about a possible Islamophobic backlash made their appearance? Jews were assaulted. And killed.It's been a great week at the Guardian particularly. Regarding the new Clint Eastwood movie about former Navy SEAL Chris Kyle, they published an article titled, "The real American Sniper was a hate-filled killer. Why are simplistic patriots treating him as a hero?"
Don't get your hopes up -- she didn't actually try to understand the answer to the question of why people think of him as a hero.
Snapshots from Hubble
The newest pictures from the Hubble orbiting telescope of our nearest large galactic neighbor, Andromeda, are sharp enough to show 100 million individual stars. This link has images that are sharp enough to admire, but not big enough to take a long time to download. A link within the link will take you to a 200MB image.
Andromeda, a spiral galaxy, is only 12.5 times as far away as it is wide (2.5MM to 200,000 light-years), so it shows up relatively well in our sky. It's on a collision course with the Milky way--ETA is about 3.75 billion years--which makes it one of the few elements of the universe that isn't rushing away from us. Andromeda is just barely visible to the naked eye in good conditions. Human beings have been recording their observations of it since the 10th century, but only in the 19th century did its spectral lines suggest that it was not a gaseous nebula but had some kind of stellar nature. Believing it to be a relatively close object, astronomer first guessed that it was some kind of nova. In 1925 Edwin Hubble demonstrated that it was a separate galaxy similar to our own.
Even the old-fashioned pictures are pretty spectacular.
Men are from Dune, women are from Pemberley
Grim's link took me to other articles by Examiner writer Michelle Kerns, including her "Men are from Dune, women are from Pemberley" lists of 75 Books Every Man or Every Woman Must Read. I'm afraid I haven't read very many of them, but I've read 16 from the men's list and only 11 from the women's.
Both lists pick a single book by a famous writer and let it go at that. I don't read that way; I'm more likely to read all of the works of an author that suits me and never quite get through even the first book of an author that doesn't. What's more, almost none of the books I've read from either of these lists is on my "desert island" list of the few books I'd want to have on hand to read repeatedly for the rest of my life, in a pinch. "Lolita" isn't on either list, for instance. But "War and Peace" is on one and "Middlemarch" on the other, so there's that. And yet no C.S. Lewis! I don't know what I'd do with myself if I couldn't read and re-read his works. Not to mention Robert Heinlein, John Varley, Frederick Pohl, Larry Niven/Jerry Pournelle, and a handful of other science-fiction writers I depend on year after year--science fiction and fantasy being my true lifelong literary enthusiasms.
But as for Twain, Dickens, Joyce, Rushdie, Hemingway, Henry James, Maya Angelou, J. K. Rowling, and other high- and low-brow favorites, I just can't read them at all.
Both lists pick a single book by a famous writer and let it go at that. I don't read that way; I'm more likely to read all of the works of an author that suits me and never quite get through even the first book of an author that doesn't. What's more, almost none of the books I've read from either of these lists is on my "desert island" list of the few books I'd want to have on hand to read repeatedly for the rest of my life, in a pinch. "Lolita" isn't on either list, for instance. But "War and Peace" is on one and "Middlemarch" on the other, so there's that. And yet no C.S. Lewis! I don't know what I'd do with myself if I couldn't read and re-read his works. Not to mention Robert Heinlein, John Varley, Frederick Pohl, Larry Niven/Jerry Pournelle, and a handful of other science-fiction writers I depend on year after year--science fiction and fantasy being my true lifelong literary enthusiasms.
But as for Twain, Dickens, Joyce, Rushdie, Hemingway, Henry James, Maya Angelou, J. K. Rowling, and other high- and low-brow favorites, I just can't read them at all.
Is that why the buildings are ugly?
It's an enduring question: is it just me, or are most of the buildings ugly? In The New Urbanism, William Lind argues that some high-style architecture is deliberately ugly, on the theory that the essence of a capitalist system is alienation, and therefore all true art must alienate in order to be authentic. He attributes this idea to Theodor Adorno. I don't know about that, but here is a summary of what's supposed to be Adorno's thinking:
The Lind article has defensible ideas about the use of conservative ideas in urban architecture, including the superior market appeal of mixed-use developments and therefore the absence of a need for government regulation to improve neighborhoods; the market will do that for us if we prevent the zoners from requiring undue separation between residential and commercial functions. I'm not sure he's really nailed the ugly-architecture problem, though. Why is our new fire station an eyesore, for instance? No high-concept architect set out to mirror the incurable alienation of the local population. No architect had much input at all, except in the sense that someone with minimal training did a bit of work making sure the hallways all led to rooms and some of the exterior walls had windows in them. Otherwise it's a metal shell with a shallow roof in random colors, and a bunch of rooms jammed inside. It was cheap, it was fairly easy to build, and it made no concessions to aesthetic experience.
The ancient Welsh-style cottage pictured below was cheap and fairly easy to build, but it's not ugly. What are we missing? Why should economy of construction be ugly?
It actually looks quite a lot like my cistern, which I love, and would love even more if the cylinder were shorter and the witch's hat bigger:
Lind has other ideas about making cities livable, his main thrust being that conservatives should be able to find common ground with the largely liberal urbanist crowd. One of his most valuable insights is that beautiful public spaces rely on money and security:
The unavoidable conclusion is that if I didn't want the fire station to be ugly by my standards, I should have found a way to fund its construction myself. After all, I don't find my house ugly! Of course, I didn't expect it to express the simultaneous necessity and illusoriness of art, or to serve as the antithesis of society. I just wanted it to function properly and delight me.
Adorno's claims about art in general stem from his reconstruction of the modern art movement. So a summary of his philosophy of art sometimes needs to signal this by putting “modern” in parentheses. The book begins and ends with reflections on the social character of (modern) art. Two themes stand out in these reflections. One is an updated Hegelian question whether art can survive in a late capitalist world. The other is an updated Marxian question whether art can contribute to the transformation of this world. When addressing both questions, Adorno retains from Kant the notion that art proper (“fine art” or “beautiful art”—schöne Kunst—in Kant's vocabulary) is characterized by formal autonomy. But Adorno combines this Kantian emphasis on form with Hegel's emphasis on intellectual import (geistiger Gehalt) and Marx's emphasis on art's embeddedness in society as a whole. The result is a complex account of the simultaneous necessity and illusoriness of the artwork's autonomy. The artwork's necessary and illusory autonomy, in turn, is the key to (modern) art's social character, namely, to be “the social antithesis of society”.It does sound as though the idea were to make us unhappy for the sake of raising our consciousness. When someone starts talking about simultaneous necessity and illusoriness, I suspect him of being in a serious sulk.
The Lind article has defensible ideas about the use of conservative ideas in urban architecture, including the superior market appeal of mixed-use developments and therefore the absence of a need for government regulation to improve neighborhoods; the market will do that for us if we prevent the zoners from requiring undue separation between residential and commercial functions. I'm not sure he's really nailed the ugly-architecture problem, though. Why is our new fire station an eyesore, for instance? No high-concept architect set out to mirror the incurable alienation of the local population. No architect had much input at all, except in the sense that someone with minimal training did a bit of work making sure the hallways all led to rooms and some of the exterior walls had windows in them. Otherwise it's a metal shell with a shallow roof in random colors, and a bunch of rooms jammed inside. It was cheap, it was fairly easy to build, and it made no concessions to aesthetic experience.
The ancient Welsh-style cottage pictured below was cheap and fairly easy to build, but it's not ugly. What are we missing? Why should economy of construction be ugly?
Lind has other ideas about making cities livable, his main thrust being that conservatives should be able to find common ground with the largely liberal urbanist crowd. One of his most valuable insights is that beautiful public spaces rely on money and security:
We offer the understanding that traditional middle-class values work. Without them, no city, neighborhood, or town, however well designed, is likely to function. We point out the reality that order, safety of persons and property, is the first essential. [Celebrated urbanist Andres] Duany said to me at a recent CNU [Congress for the New Urbanism] meeting, “I’m beginning to understand that we design beautiful public spaces to which no one dares come.” Indeed. Conservatives understand that for New Urbanism to succeed, it must create an arena where businessmen can make money. Urban areas that are not market-friendly will remain poor.We could blame that problem on capitalism--guys like Adorno certainly made a career of it--but it's possible that the real problem is designers who aren't interested in making forms nearby which people want to sleep, work, shop, recreate, or reflect. Capitalism gets a bad rap for reducing "value" to "money," but I suspect what's really irritating about it is that ordinary people get to vote on whether they find something valuable. Their betters don't always get to prescribe it for them, or force them to feed and house artists and other intellectuals who want to be the antithesis of society. If they don't like it, they just won't buy it.
The unavoidable conclusion is that if I didn't want the fire station to be ugly by my standards, I should have found a way to fund its construction myself. After all, I don't find my house ugly! Of course, I didn't expect it to express the simultaneous necessity and illusoriness of art, or to serve as the antithesis of society. I just wanted it to function properly and delight me.
Mark Twain on Jane Austen
I've occasionally mentioned Mark Twain's brutal, and completely accurate, review of Cooper's 'Leatherstocking' tales. I also knew that Jane Austen was not universally loved by American authors -- Emerson didn't care for her ("Suicide is more respectable," he wrote of her work), but who cares what Emerson thinks? Still, I hadn't realized until this morning that Twain had written occasionally about his dislike for her work.
"Jane Austen? Why I go so far as to say that any library is a good library that does not contain a volume by Jane Austen. Even if it contains no other book."There are a host of great author-on-author put downs here. If any of you are Austen fans horrified to find that Twain held her in such low regard, there's an essay here that examines his comments in greater detail from a pro-Austen perspective.
"I haven't any right to criticise books, and I don't do it except when I hate them. I often want to criticise Jane Austen, but her books madden me so that I can't conceal my frenzy from the reader; and therefore I have to stop every time I begin. Every time I read 'Pride and Prejudice' I want to dig her up and beat her over the skull with her own shin-bone."
"All the great critics praise her art generously. To start with, they say she draws her characters with sharp distinction and a sure touch. I believe that this is true, as long as the characters she is drawing are odious."
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