A Vagueness Problem

There's a longstanding debate about what it means for music to be "country music." Country music is a genre unto itself, with several sub-genres, and unsurprisingly there is a vagueness problem about some of the fringe cases. That is to say, there are plenty of clear-cut cases where nobody would argue that it's not country -- Johnny Cash doing Folsom Prison Blues, George Jones singing The Grand Tour (saddest song ever recorded, if you ask me), plenty of these. 

Likewise, there's plenty of stuff you can stay definitely is not country music, like The Cure or Beethoven. It's music, and Beethoven at least is great music, but without question it's not country music.

Vagueness problems come in when there's movement along the substratum between X and not-X. At first you have a clear-cut case of X and you know that it's X; later, you may be aware of some things that are not-purely-X in a case of X; later still, you may no longer be sure the thing is X at all. After a while, you'll be pretty sure it's not-X, and eventually totally sure. The problem lies in those cases where the vagueness blurs the categories in a way that can make knowledge of the truth uncertain. (That model of vagueness, and for that matter of knowledge, is philosopher Timothy Williamson's).

We are presented this week with a vagueness case, as the pop star known as Beyonce has released what she is pleased to describe as a country song. The question of what makes a song "country music" is thus relevant again.

I have not heard the song. I don't think I've ever heard a song by Beyonce; she's ordinarily operative in a part of the music world I actively dislike (which is not to say that I actively dislike the musicians or people involved: it's just the music I definitely don't like). Regular readers are aware that I think popular music is significantly degraded over the last few decades, replaced by a kind of publicity stunt without the merits of earlier popular music. An occasional topic of this blog is finding the better music that is being produced but not publicized. 

Beyonce is one of those acts that is the product of a contemporary publicity machine. For example, apparently this song was announced by an advertisement on the Super Bowl, itself a publicity machine product, which would have cost millions of dollars. It was accompanied by a photo-shoot designed to move eyebrows -- I mean eyeballs -- which was also placed in a tweet that was pushed by journalists across many outlets. You could be forgiven for thinking that prima facie this won't have much to do with country music's traditional themes of hardscrabble rural life, for example.

As country music outlet WhiskeyRiff puts it, however, the vagueness problem isn't limited to her anyway.

And while I know there will be, and already have been, complaints about the fact that this “isn’t a country song” and Beyoncé “isn’t a country artist,” I’d say the vast majority of what’s heard on country radio isn’t exactly that, either, so this really isn’t any different in my opinion.

As a side note, she’s also been rocking a cowboy hat pretty regularly since the Grammy’s, if that gives you any indication on the marketing aspect[.]

That's a very fair point. Given what Nashville is pushing, why not Beyonce? Dolly Parton has even suggested it, having just done her own adventure into rock music.

Given that it's Friday night, after the jump I'll include some videos playing with the question of what is and is not real country music, as well as another vagueness case by the Rolling Stones.

(Here's a live version of that same one from the Knucklheads Saloon, with a live monologue that's relevant and amusing.)