The Sentimental and the Homicidal

This is from Commentary, so you won't be surprised by the pro-Israel language; but that's not what I want to talk about. I'm interested in the critique of sentimentalism, and how it dovetails with the embrace of homicidal impulses.
The poshlost* comes in the form of poetry, too. One Palestinian poet writes:

With clean hands,
he gently sifts the flour,
and adds a handful of yeast.
He pours the warm water
for the yeast particles to live,
then rolls and kneads and rolls
and kneads the dough. 

He lets the soft mass rest.

With firm but gentle hands,
he rounds it into balls,
flattens them into shape,
and handles each one
delicately into the oven.

 Soon, perhaps in half an hour,
the bread rolls are born fresh,
healthy and browned.
The newborn breads breathe,
yet dust chokes the air,
searing gases penetrate
their thin, fragile crusts.

 On the day of their birth, a missile,
a bakery, a scattering
of zaatar, flesh, and blood.

The sentimentalism here portrays the baker as gentle and loving, nurturing: "He pours the warm water for the yeast particles to live," the poet says. He lets it rest. He is delicate in his handling. Well, yes; I make bread too. I also feed the yeast, usually with honey but sometimes with blackstrap molasses. 

A poet is allowed license, but it strikes me -- as a frequent baker -- that it would be just as legitimate to describe the act as monstrous. The yeast's whole life is enslaved to the production of gases to make the bread rise; all the nurturing is just to get the yeast to eat and excrete so that the dough will be fluffy. Meanwhile, not the missile but the oven killed the yeast: the 'newborn breads' are actually newly killed, the yeast slaughtered in its millions in the bald service of the baker's naked interest in eating leavened bread. 

Because the frame chosen is the loving, nurturing one, it masks the horror done by the same hands.

The novelist Milan Kundera, who well knew the horrors of totalitarian rule, has nicely skewered false sentimentality: “Two tears flow in quick succession. The first tear says: how nice to see children running on the grass! The second tear says: how nice to be moved, together with all mankind, by children running on the grass.” Put another way, “sentimentality is that peculiarly human vice which consists in directing your emotions toward your own emotions, so as to be the subject of a story told by yourself,” as the English philosopher Roger Scruton noted in his autobiography.

The sentimentalists are playing a double game: They are dispensing, and attracting, warm feelings and approbation for themselves and their kind, while at the same time providing cover for totalitarians and terrorists.

That is correct, as far as it goes, and we see it again and again. I have grown sadly accustomed to seeing the endorsement of murder and assassination -- against that healthcare CEO by "Luigi," against Musk, against Trump or his supporters -- by the very people I know most inclined to sentimentalist broadcasts. They would never go so far as to say "I wish someone would kill him," but they will definitely go as far as to say that it would be just, that it would be deserved, that it would be understandable. After all, those men provoke such bad feelings in their sentimental hearts. 


* Poshlost is explained in the article's beginning, and is an interesting Russian word. Zaatar is a spice/herb mix that is common in the Levant.  

4 comments:

Texan99 said...

I struggle with this, not being a hunter or even a farmer or rancher who kills his own livestock or gives it to a abattoir to be killed--though I eat meat. I confess to having been troubled by sentimental concerns over breeding and killing yeast, the puir wee beasties. I don't like killing insects, but I get over it when it comes to avoiding flea infestations. I cheerfully murder microbes rather than suffer infections.

Maybe these ethical dilemmas don't seem very similar, but it strikes me that it's far too easy to play at feeling sympathetic to All Living Things without taking responsibility for the violence and death-dealing that are inherent in living in a biological system with predators and prey, unless we'd like to do the right thing and simply lie down and die rather than do more harm. Remember that idiocy in Switzerland a while back about not murdering plants?

If we pretend that killing a weed is murder on the same level as exterminating 100 million enemies of the state, or even an inconvenient single child, we've simply abrogated our duty of discernment in favor of cheap cleverness. We should leave that to children who first discover ecstatically that they can construct an argument to prove the hypocrisy of the elders who are always hemming in the freedom of their impulses.

Thomas Doubting said...

The joining of the sentimental and homicidal is jarring, and I think misplaced. The key to poshlost, it seems from Nabokov's description, is that it is false. It is, as he says: "the falsely important, the falsely beautiful, the falsely clever, the falsely attractive".

Velitskaya seems to recognize this at times. She writes: "Many of these purveyors of poshlost are not merely falsely sentimental or insincere; they are deliberately manipulative in their lust for likes and clicks" and "The novelist Milan Kundera, who well knew the horrors of totalitarian rule, has nicely skewered false sentimentality" (emphasis mine).

At other times, such as when she ties her argument to Roger Scruton's criticism of sentimentality, she leaves off the falseness and accuses sentimentality directly.

I think the falseness is key. I don't think being overly emotional or romantic leads to the sort of Palestinian baker poem here. That is a false, virtue-signaling, poshlost poem. Poshlost is probably the better term, rather than sentimentalism.

Or maybe I'm being pedantic. Never really sure these days.

Thomas Doubting said...

Now, having maybe been pedantic, let me be certainly pedantic: The poem suffers from that disease so many poets have contracted since the advent of the word processor: Centering. A centered poem is a sure sign of a truly troubled soul. It is sometimes their viscous sentimentality oozing onto the page like 10W40, at others the concrete sidewalk of a soul seeking the ancient ways that seem forever lost (unless one does a little work in the library), and here the centered poem is a further proof of it belonging to the category of poshlost, of pretending to be sentimental bread baking but in fact being a flimsy mask for a murderer.

Grim said...

Hey now. I like a centered poem, sometimes. My favorite of my own is presented that way.

https://grimbeorn.blogspot.com/2012/03/errant-high-painful-mountains-covered.html