Everything is Racist? Mary Poppins and Coal Miners

The NYT runs a piece examining the underlying racism in Mary Poppins, the 1964 movie about a book from the early 20th century. The books were moreso, the movie eliding almost all of that content out. But it remains, sort of: there was an association with lower class men who got very dirty doing their work, and blacks whose condition was thought lower by nature. I recall reading about a similar thing from the Raj days, in which a British military officer was stunned to realize -- while his men were taking a communal bath on maneuvers -- that the lower-class infantrymen were white underneath their uniforms. All the marching in the sun made them darker, and he assumed they were somehow of a lower (i.e. darker, according to the fashion of the times) race.

A photo of coal miners relaxing after work receives similar treatment.

I might have thought this was all evidence of progress; even in 1964, people realized the old mode was a problem and began to elide it into non-racist forms. They were still classist, but those classes in Britain were rapidly fading even in the 1960s. That class consciousness was a major source of humor in Monty Python just because it was on the way out. The racism of the earlier period was already embarrassing in the 1960s, and was being written out.

Progress on classism, too, in the fact that working men no longer show up at the bar covered in filth from head to foot. Working conditions have improved dramatically, even for coal miners. If that weren't true, people wouldn't look at this photo and think, "Blackface!" They'd look at it and think, "Oh, coal miners."

But apparently actual progress is forbidden by progressives. We need to make sure to hold on to the grievances that actual progress might weaken, since the real goal isn't progress but power.