How Long?

In the last post, I mentioned that enmity has lingered since at least the 90s. I was thinking of active government enmity, but the cultural enmity is older. Joe Bob Briggs dates the cultural issue to the shift in Hollywood from using as de facto enemies either Native Americans or Nazis, to using rednecks because everyone else could agree to hate them.

An obvious example of that is in 1969's Easy Rider, a transformational year in Hollywood. (Little Big Man, one of the strongest examples of Hollywood rethinking its position on the US cavalry vs. the Native Americans, was being filmed that year; it came out in 1970.) Florida rednecks (they usually call themselves "crackers" in Florida) foolishly stunt with a shotgun, accidentally killing a biker they just meant to scare. They then intentionally murder the second one to avoid being caught.

This distances itself from the treatment similar folks had received in Thunder Road (1958), where they were heroic rascals dodging revenuers. (This treatment would reappear during the later 1970s, when countercultural forces acknowledged the Duke Boys, the Convoy, and the Bandit as obvious cultural allies.) If you saw a character in a movie who was Southern, country, Conservative, or obviously Christian, they were most likely going to be a bad guy. 

Nevertheless it wasn't until the Clinton administration that I think this new class that came of age in 1969 felt comfortable going all-in on destroying the traditional American culture. There had been outspoken feminists suing to prevent private clubs from being all-male, successfully insofar as they could show that there were potential business advantages to be had from membership, for quite some time. Bill Clinton had run, however, as a man who could bring the Reagan Democrats home to the Democratic Party -- which he did, winning Georgia in 1992, and then sold all their blue-collar jobs to NAFTA. Hostility to Reagan among the Wise had been intense, but the ordinary American was respected because his or her vote was needed. 

The shift to center-left politics under Clinton hardened substantially during the Bush administration, but even by the 1990s Married with Children regularly showcased the ways in which a blue-collar white male was being run down by every sort of powerful actor in society. Waylon Jennings, who was the troubadour playing the guitar in Dukes of Hazzard, appeared in one episode (available on YT in German or Spanish, but not English) to explain to Al Bundy that "nothing" could be done about the destruction of his way of life, but to enjoy his remaining time on earth: "The only thing wrong with being a dinosaur is there ain't a future in it." 

All this intensified culturally during the Bush administration, and sprang into outright governmental hostility towards ordinary Americans in the Obama administration. The Trump administration didn't even provide a break: the President spoke kindly of ordinary Americans, but "The Resistance" began treating Americans of that ilk as the chiefest danger facing the government. Under the Biden regime, it has only intensified -- spies in church, as we were discussing.