I have a few more pictures of the Met, thanks to Dellbabe, that I will post up over the weekend. Today I wanted to put up something a little different. Italian artist Benvenuto Cellini produced some of that type of Renaissance sculpture that once fired the world's imagination. It combines heroic realism with the ancient myths, as in this statue of Perseus with the head of Medusa.
In addition to his sculpture, painting, and goldwork, he wrote an autobiography that an email group I read has been discussing this week. It's a fascinating piece, which has seventy-nine mentions of the word "sword" and fifteen more of "dagger," including here:
Walking with all haste, I passed the bridge of the Exchange, and went up along a wall beside the river which led to my lodging in the castle. I had just come to the Augustines—now this was a very perilous passage, and though it was only five hundred paces distant from my dwelling, yet the lodging in the castle being quite as far removed inside, no one could have heard my voice if I had shouted—when I saw four men with four swords in their hands advancing to attack me.It's a remarkable piece, more like The Three Musketeers than any work of nonfiction. There are duels and murders, revenge and brawls, necromancers calling forth demons, vanished lovers. There is also a description of the business of making art, especially certain medals of steel that were desired by the Pope.
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