One place where an interesting dialogue develops, though, is in the film’s criticism of the Bene Gesserit. It’s interesting that the current generation would criticize the Bene Gesserit, since it represents a successful feminine wrenching of power from the male structures: the Emperor is really mastered by them, and the Guild hates them because it recognizes their power over the mental magics of the Spice. They successfully prevent the generation of a male who can do and be what Paul is for generations by controlling reproduction, seduction, bloodlines.
But they do commit one sin against the mode of the young, and that is colonialism. They wage sexual war against all men, the Guild, the Emperor, and the Great Houses: well enough. But they also tell stories to the Fremen, and others, to colonize their minds. That’s where the film really gets sideways with them: colonizing a third world minority group to establish psychic control over them.
There’s a subplot unique to the film in which worldly Northerners (Fremen!) reject the superstitions and fundamentalist religious beliefs of the Southerners (still Fremen!). The Southerners are totally captured by these religious forces, which the Northerners doubt. The conquest of Paul and Jessica of the minds of the Fremen is treated as a kind of hostile, manipulative psychological war.
Yet it is also a prophecy, one that comes true at important moments in ways not in human control. Yes, Paul ‘knows the ways of the desert’ because worldly feminist Chani teaches him (‘we are equals, male and female,’ she says while submitting to Fremen social roles that silence women in sacred places). But Paul really does summon the Grandfather Worm, and rides him; you can make up a story about that, and tell it for generations, but ultimately it is up to the worm if he comes.
It ends up leaving a question about how much of these Bene Gesserit tales were psychological warfare and how much were true prophecy. That is the road by which the divine gets in: however much the stories were lies, were colonialist modes of control, were wiles aimed at mastery, somehow the truth got in. Somehow, in spite of all attempts at manipulation and mastery, the tales were true for the Fremen after all.
1 comment:
This tension is an important part of Lewis's "Till We Have Faces" as well. The gods are sometimes ugly, capricious, always bloody to human eyes, and the educated philosophers deny their existence except in a milk-and-water abstract called The Divine. But prophecies are fulfilled, rain comes in response to sacrifices nonetheless. Which is the truer reality? The title comes from the statement that we cannot confront the gods face to face until we ourselves have faces.
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