In Commentary Magazine, Gary Saul
Morson explains how he thinks many young students are chased away from studying literature. The whole essay was good, but I particularly like this discursion into empathy. It reminds me of something C.S. Lewis remarked about the insistently inward-looking habit of the ill. It's also a good warning about the perils of victim status. Not that I am often victimized, having a comfortable life, but on the rare occasions that it happens I recognize these same results in myself:
Chekhov’s story “Enemies” describes a doctor named Kirillov, whose son has just died, comforting his grieving wife as his face displays “that subtle, almost elusive beauty of human sorrow.” We empathize with him, not only for his grief over his son, but also because of his empathy for his wife. It’s a chain of empathy, and we are its last link.
Then the wealthy Abogin arrives to beg the doctor to visit his dying wife, and the doctor, with extreme reluctance, at last recognizes he has no choice. When they finally arrive, it turns out Abogin’s wife has only feigned illness to get rid of her husband long enough to escape with her lover. As Abogin cries and opens his heart to the doctor “with perfect sincerity,” Kirillov notices the luxurious surroundings, the violoncello case that bespeaks higher cultural status, and reacts wrathfully. He shouts that he is the victim who deserves sympathy because the sacred moment of his own mourning has been ruined for nothing.
Nothing makes us less capable of empathy than consciousness of victimhood. Self-conscious victimhood leads to cruelty that calls itself righteousness and thereby generates more victims. Students who encounter this idea experience a thrill of recognition. Kirillov experiences “that profound and somewhat cynical, ugly contempt only to be found in the eyes of sorrow and indigence” when confronted with “well-nourished comfort,” and he surrenders to righteous rage.
In this story, each man feels, justly, that he has been wronged by the other. And so neither receives the understanding he deserves. We empathize with both but also feel that they could have chosen instead to empathize with each other. But, as the author explains: “The egoism of the unhappy was conspicuous in both. The unhappy are egoistic, spiteful, unjust, cruel, and less capable of understanding each other than fools. Unhappiness does not bring people together but draws them apart.” That is still more the case when unhappiness makes us feel morally superior.
This was good, too:
Many years ago, when Northwestern student course evaluations appeared in book form, I came across a response to a course on Dickens: “Don’t take this course unless you want to read a lot of Dickens!”
And this:
Students will acquire the skill to inhabit the author’s world. Her perspective becomes one with which they are intimate, and which, when their own way of thinking leads them to a dead end, they can temporarily adopt to see if it might help. Novelistic empathy gives them a diversity of ways of thinking and feeling. They can escape from the prison house of self.
H/t
Maggie's Farm.
6 comments:
Students will acquire the skill to inhabit the author’s world. Her perspective becomes one with which they are intimate, and which, when their own way of thinking leads them to a dead end, they can temporarily adopt to see if it might help. Novelistic empathy gives them a diversity of ways of thinking and feeling. They can escape from the prison house of self.
That's a heck of a trick, if you can really teach students to be able to do that.
Can't anyone who can read fiction do that?
Also: there's a different form of what might or might not be the same thing, which is to see the characters as human beings and oneself as able to interact with them. This is what leads to staying up all night arguing with a character from a book.
Maybe. As someone who has written a lot, I find that often what people bring to your work can absolutely prevent them from "inhabiting the author's world." They're all of them coming with something that's going to color their understanding of what you meant to say in ways that change it to something you never meant to say. If you can really teach people to understand the author, you've done something. It's not easy.
We misunderstand authors just as we misunderstand each other in real life. No one knows us as we ourselves do.
“The egoism of the unhappy was conspicuous in both. The unhappy are egoistic, spiteful, unjust, cruel, and less capable of understanding each other than fools. Unhappiness does not bring people together but draws them apart.”
I must admit, I know too well the truth of this. When I was young, I was painfully shy, and all too often was feeling sorry for myself that no one would dare reach out to me. When I realized the hubris and selfishness in expecting of others what I feared doing myself, it freed me in so many ways. Increased happiness was only a part of the benefits. In our 'selfie' culture, we've made our inward looking-ness material- ritualized it. Apparently, we extol gazing upon the image of the self. Wow. Where are we headed? Has mankind ever seen an entire society of such people?
This professor is more interested in the reader's experience than the author's intention, though he clearly tries to help his students learn enough about the author's circumstances to avoid the most obvious misinterpretations, and he says he makes an effort to speak in the author's voice to the best of his understanding. But for him the real value is in imaginatively interacting with the characters' dilemmas as they appear to the reader.
That's also of value. But to escape from the prison house of the self! I only wish it were easy to teach. How often I wish I could do it. How often I wish I could speak to others and truly be understood. What a gift that would be, if a teacher could convey it.
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