Old Days

The Old and the Young:

I have had relatively little time lately, and I apologize for that. My old favorite, Arts & Letters Daily, provides me with the meat for today's short post.

Commentary has an article on how American society is getting better:

Just when it seemed as if the storm clouds were about to burst, they began to part. As if at once, things began to turn around. And now, a decade-and-a-half after these well-founded and unrelievedly dire warnings, improvements are visible in the vast majority of social indicators; in some areas, like crime and welfare, the progress has the dimensions of a sea-change. That this has happened should be a source of great encouragement; why it happened, and what we can learn from it, is a subject of no less importance....

Despite persistent anomalies and backslidings, some species of cultural re-norming certainly seems to have been occurring in this country over the past decade-and-a-half, and it is fascinating to observe in whose hearts its effects have registered most strongly. In attitudes toward education, drugs, abortion, religion, marriage, and divorce, the current generation of teenagers and young adults appears in many respects to be more culturally conservative than its immediate predecessors. To any who may have written off American society as incorrigibly corrupt and adrift, these young people offer a powerful reminder of the boundless inner resources still at our disposal, and of our constantly surprising national resilience.

There is also an allied article on what would, at first glance, appear to be a different subject: art.

Why did experimental novels like James Joyce’s Finnegans Wake fail to exert the same enduring appeal as the paintings of the abstract expressionists—or, for that matter, the distinctively modern jazz and popular music about which Gay has nothing at all to say in Modernism? Could it be that, as I have previously argued, there were “in fact two modernisms, one deeply conservative and tradition-based, the other profoundly radical and antinomian,” and that the first of these modernisms, not the second, is the one that has prevailed?

Confer, as they say, and discuss.