Some Poetry

Some Poetry:

It's been a little while since Grim mentioned it--I've been meaning to write something of my wn about G.K. Chesterton, and The Ballad of the White Horse. (The poem can be found online here. I originally found it as a part of this collection of Chesterton's writing.)

Chesterton wrote this piece of epic poetry to celebrate the victory of King Alfred over a band of Danish invaders. The struggle is as much a religious struggle as a military one: King Alfred is a Christian, as are his people. The invaders are pagans who worship strange, warlike gods. Chesterton's openly admits that he isn't writing precise history; he is writing about a historical man who cast a legendary shadow across the ages.

The central character in the story is Alfred, a Saxon king in Wessex. He is a king without a kingdom, it seems--his armies have been crushed, invaders roam the countryside, and his authority only holds in a small area.

The tale of the Battle of White Horse Vale is told as a microcosm of Alfred's long fight with the Danes. It is also told as a microcosm of the religious struggle of the time: the attitudes and ideas of Christians as opposed to the Danish beliefs and practices.

One of the strength of Chesterton's poem is the way it introduces people, cultures, and events. Short vignettes pepper the story; each vignette describes the subject in a way that is memorable.

The Vikings are introduced thus:

The Northmen came about our land
A Christless chivalry:
Who knew not of the arch or pen,
Great, beautiful half-witted men
From the sunrise and the sea.
...
Their gods were sadder than the sea,
Gods of a wandering will,
Who cried for blood like beasts at night,
Sadly, from hill to hill.

When king Alfred prays to the Blessed Virgin; he worries about the death of a culture and the end of a kingdom:

"When our last bow is broken, Queen,
And our last javelin cast,
Under some sad, green evening sky,
Holding a ruined cross on high,
Under warm westland grass to lie,
Shall we come home at last?"

The response to this prayer isn't a promise that all will go well.

"I tell you naught for your comfort,
Yea, naught for your desire,
Save that the sky grows darker yet
And the sea rises higher.

"Night shall be thrice night over you,
And heaven an iron cope.
Do you have joy without a cause,
Yea, faith without a hope?"

It is this mention of the hope that underlies Christian faith that galvanizes Alfred's resolve. He gets no promise of the survival of Christian culture in England--or of his throne in Wessex. But he is reminded that the Christian culture he supports cares little for the fate of kingdoms; but this attitude paradoxically makes the Christian culture more resilient.

One of the legendary tales that the poem draws on is one of Alfred entering the Danish camp alone, and singing at one of their campfires. One Danish prince mocks the Christian culture and the remnants of Rome in this way:

"Doubtless your sires were sword-swingers
When they waded fresh from foam,
Before they were turned to women
By the god of the nails from Rome;

"But since you bent to the shaven men,
Who neither lust nor smite,
Thunder of Thor, we hunt you
A hare on the mountain height."

Other princes sing tales of the sadness of the earliest gods of the Vikings, and of the futility of struggle for dominance in a world where all are brought equal by death.

Alfred responds to these songs with the joy and hope that seem baseless to non-believers. He holds that the Christian culture had more heart to run than the Danish culture had to pursue; he holds that the followers of Christ were more fullfilled with their fasts and hardships than the Danes were with their feasting and wealth.

Lastly, he reminds them that "only Christian men guard even Heathen things."

The battle of the White Horse Vale is told as if to follow this outline. Several epic encounters are described. The mighty men of both armies fight well. However, the leaders of Alfred's armies are killed and their men are beaten back. But Alfred rallies them in the forest, and manages to set upon the Danes who have become disordered and unwatchful in their celebration of victory.

The tale ends with Alfred as an old king,ordering his people to keep the chalk outline of the White Horse visible in the hill that overlooks the White Horse Vale. Many victories are hinted at; battles that stretched far beyond that first victory near Wessex. Alfred is said to warn about days when the enemies of faith will come as men of learning, rather than as men of war.

The poem captures the drama of the struggle between the Vikings and the Saxons for the control of England. It also describes contributions of Gaelic and Roman culture to the survival of Christian culture in England.

As Grim mentioned, the poem can also be used to describe the current struggle between the Men of the West and the Islamists who wish to remake the world after their vision of perfect Islamic culture. Their culture appears strong, but it has denied itself access to outside sources of culture and philosophy. It has forgotten the cultural sources tha came from outside of itself. It is weakened in its ability to learn from other cultures.

The culture of the West openly deals with outside sources at its deepest levels. Greek philsophical thinking and the Judaic roots of Christianity are both remembered and referenced in the West. These sources--and the conflicts that they engendered during the long development of Western culture--give the Western world its distinct strength.

Paradoxically, this strength looks like a weakness to the non-Western world.

We would do well to remember this strength. We would also do well to remember that cultures are neither created, destroyed, or fundamentally altered in a day. As Chesterton said in his introduction, the long struggle between Christian culture and the nihilism of the destructive invaders was the work of centuries. The characters he drew stand as symbols for the various forces at work over those centuries.

This is the lesson that I read in the Ballad of the White Horse. Strength may appear to be weak; weakness may appear to be strength. Clashes between cultures and civilizations may take a century to reach a conclusion. And the battle to preserve the Western world is not to be abadoned, even when hope seems foolish.